Pygmalion and Three Other Plays Page 6

  Fortunately, the Salvationists are more accessible to the religious character of the drama than the playgoers to the gay energy and artistic fertility of religion. They can see, when it is pointed out to them, that a theatre, as a place where two or three are gathered together, takes from that divine presence an inalienable sanctity of which the grossest and profanest farce can no more deprive it than a hypocritical sermon by a snobbish bishop can desecrate Westminster Abbey. But in our professional playgoers this indispensable preliminary conception of sanctity seems wanting. They talk of actors as mimes and mummers, and, I fear, think of dramatic authors as liars and pandars, whose main business is the voluptuous soothing of the tired city speculator when what he calls the serious business of the day is over. Passion, the life of drama, means nothing to them but primitive sexual excitement: such phrases as “impassioned poetry” or “passionate love of truth” have fallen quite out of their vocabulary and been replaced by “passional crime” and the like. They assume, as far as I can gather, that people in whom passion has a larger scope are passionless and therefore uninteresting. Consequently they come to think of religious people as people who are not interesting and not amusing. And so, when Barbara cuts the regular Salvation Army jokes, and snatches a kiss from her lover across his drum, the devotees of the theatre think they ought to appear shocked, and conclude that the whole play is an elaborate mockery of the Army. And then either hypocritically rebuke me for mocking, or foolishly take part in the supposed mockery!

  Even the handful of mentally competent critics got into difficulties over my demonstration of the economic deadlock in which the Salvation Army finds itself. Some of them thought that the Army would not have taken money from a distiller and a cannon founder: others thought it should not have taken it: all assumed more or less definitely that it reduced itself to absurdity or hypocrisy by taking it. On the first point the reply of the Army itself was prompt and conclusive. As one of its officers said, they would take money from the devil himself and be only too glad to get it out of his hands and into God’s. They gratefully acknowledged that publicans not only give them money but allow them to collect it in the bar — sometimes even when there is a Salvation meeting outside preaching teetotalism. In fact, they questioned the verisimilitude of the play, not because Mrs. Baines took the money, but because Barbara refused it.

  On the point that the Army ought not to take such money, its justification is obvious. It must take the money because it cannot exist without money, and there is no other money to be had. Practically all the spare money in the country consists of a mass of rent, interest, and profit, every penny of which is bound up with crime, drink, prostitution, disease, and all the evil fruits of poverty, as inextricably as with enterprise, wealth, commercial probity, and national prosperity. The notion that you can earmark certain coins as tainted is an unpractical individualist superstition. None the less the fact that all our money is tainted gives a very severe shock to earnest young souls when some dramatic instance of the taint first makes them conscious of it. When an enthusiastic young clergyman of the Established Church first realizes that the Ecclesiastical Commissioners receive the rents of sporting public houses, brothels, and sweating dens; or that the most generous contributor at his last charity sermon was an employer trading in female labor cheapened by prostitution as unscrupulously as a hotel keeper trades in waiters’ labor cheapened by tips, or commissionaire’s labor cheapened by pensions; or that the only patron who can afford to rebuild his church or his schools or give his boys’ brigade a gymnasium or a library is the son-in-law of a Chicago meat King, that young clergyman has, like Barbara, a very bad quarter hour. But he cannot help himself by refusing to accept money from anybody except sweet old ladies with independent incomes and gentle and lovely ways of life. He has only to follow up the income of the sweet ladies to its industrial source, and there he will find Mrs. Warren’s profession and the poisonous canned meat and all the rest of it. His own stipend has the same root. He must either share the world’s guilt or go to another planet. He must save the world’s honor if he is to save his own. This is what all the Churches find just as the Salvation Army and Barbara find it in the play. Her discovery that she is her father’s accomplice; that the Salvation Army is the accomplice of the distiller and the dynamite maker; that they can no more escape one another than they can escape the air they breathe; that there is no salvation for them through personal righteousness, but only through the redemption of the whole nation from its vicious, lazy, competitive anarchy: this discovery has been made by everyone except the Pharisees and (apparently) the professional playgoers, who still wear their Tom Hood shirts[19] and underpay their washerwomen without the slightest misgiving as to the elevation of their private characters, the purity of their private atmospheres, and their right to repudiate as foreign to themselves the coarse depravity of the garret and the slum. Not that they mean any harm: they only desire to be, in their little private way, what they call gentlemen. They do not understand Barbara’s lesson because they have not, like her, learnt it by taking their part in the larger life of the nation.

  BARBARA’S RETURN TO THE COLORS

  Barbara’s return to the colors may yet provide a subject for the dramatic historian of the future. To go back to the Salvation Army with the knowledge that even the Salvationists themselves are not saved yet; that poverty is not blessed, but a most damnable sin; and that when General Booth chose Blood and Fire for the emblem of Salvation instead of the Cross, he was perhaps better inspired than he knew: such knowledge, for the daughter of Andrew Undershaft, will clearly lead to something hopefuller than distributing bread and treacle at the expense of Bodger.

  It is a very significant thing, this instinctive choice of the military form of organization, this substitution of the drum for the organ, by the Salvation Army. Does it not suggest that the Salvationists divine that they must actually fight the devil instead of merely praying at him? At present, it is true, they have not quite ascertained his correct address. When they do, they may give a very rude shock to that sense of security which he has gained from his experience of the fact that hard words, even when uttered by eloquent essayists and lecturers, or carried unanimously at enthusiastic public meetings on the motion of eminent reformers, break no bones. It has been said that the French Revolution was the work of Voltaire, Rousseau and the Encyclopedists. It seems to me to have been the work of men who had observed that virtuous indignation, caustic criticism, conclusive argument and instructive pamphleteering, even when done by the most earnest and witty literary geniuses, were as useless as praying, things going steadily from bad to worse whilst the Social Contract and the pamphlets of Voltaire were at the height of their vogue. Eventually, as we know, perfectly respectable citizens and earnest philanthropists connived at the September massacres because hard experience had convinced them that if they contented themselves with appeals to humanity and patriotism, the aristocracy, though it would read their appeals with the greatest enjoyment and appreciation, flattering and admiring the writers, would none the less continue to conspire with foreign monarchists to undo the revolution and restore the old system with every circumstance of savage vengeance and ruthless repression of popular liberties.

  The nineteenth century saw the same lesson repeated in England. It had its Utilitarians, its Christian Socialists, its Fabians (still extant): it had Bentham, Mill, Dickens, Ruskin, Carlyle, Butler, Henry George,[20] and Morris. And the end of all their efforts is the Chicago described by Mr. Upton Sinclair, and the London in which the people who pay to be amused by my dramatic representation of Peter Shirley turned out to starve at forty because there are younger slaves to be had for his wages, do not take, and have not the slightest intention of taking, any effective step to organize society in such way as to make that everyday infamy impossible. I, who have preached and pamphleteered like any Encyclopedist, have to confess that my methods are no use, and would be no use if I were Voltaire, Rousseau, Bentham, Mill, Dickens, Carlyle, Rus
kin, George, Butler, and Morris all rolled into one, with Euripides, More, Moliere, Shakespear, Beaumarchais, Swift, Goethe, Ibsen, Tolstoy, Moses and the prophets all thrown in (as indeed in some sort I actually am, standing as I do on all their shoulders). The problem being to make heroes out of cowards, we paper apostles and artist-magicians have succeeded only in giving cowards all the sensations of heroes whilst they tolerate every abomination, accept every plunder, and submit to every oppression. Christianity, in making a merit of such submission, has marked only that depth in the abyss at which the very sense of shame is lost. The Christian has been like Dickens’ doctor[21] in the debtor’s prison, who tells the newcomer of its ineffable peace and security: no duns;[22] no tyrannical collectors of rates, taxes, and rent; no importunate hopes nor exacting duties; nothing but the rest and safety of having no further to fall.

  Yet in the poorest corner of this sod-destroying Christendom vitality suddenly begins to germinate again. Joyousness, a sacred gift long dethroned by the hellish laughter of derision and obscenity, rises like a flood miraculously out of the fetid dust and mud of the slums; rousing marches and impetuous dithyrambs rise to the heavens from people among whom the depressing noise called “sacred music” is a standing joke; a flag with Blood and Fire on it is unfurled, not in murderous rancor, but because fire is beautiful and blood a vital and splendid red;{6} Fear, which we flatter by calling Self, vanishes; and transfigured men and women carry their gospel through a transfigured world, calling their leader General, themselves captains and brigadiers, and their whole body an Army: praying, but praying only for refreshment, for strength to fight, and for needful MONEY (a notable sign, that); preaching, but not preaching submission; daring ill-usage and abuse, but not putting up with more of it than is inevitable; and practising what the world will let them practise, including soap and water, color and music. There is danger in such activity; and where there is danger there is hope. Our present security is nothing, and can be nothing, but evil made irresistible.

  WEAKNESSES OF THE SALVATION ARMY

  For the present, however, it is not my business to flatter the Salvation Army. Rather must I point out to it that it has almost as many weaknesses as the Church of England itself. It is building up a business organization which will compel it eventually to see that its present staff of enthusiast-commanders shall be succeeded by a bureaucracy of men of business who will be no better than bishops, and perhaps a good deal more unscrupulous. That has always happened sooner or later to great orders founded by saints; and the order founded by St. William Booth is not exempt from the same danger. It is even more dependent than the Church on rich people who would cut off supplies at once if it began to preach that indispensable revolt against poverty which must also be a revolt against riches. It is hampered by a heavy contingent of pious elders who are not really Salvationists at all, but Evangelicals of the old school. It still, as Commissioner Howard[23] affirms, “sticks to Moses,” which is flat nonsense at this time of day if the Commissioner means, as I am afraid he does, that the Book of Genesis contains a trustworthy scientific account of the origin of species, and that the god to whom Jephthah sacrificed his daughter is any less obviously a tribal idol than Dagon or Chemosh.

  Further, there is still too much other-worldliness about the Army. Like Frederick’s grenadier, the Salvationist wants to live for ever{7} (the most monstrous way of crying for the moon); and though it is evident to anyone who has ever heard General Booth and his best officers that they would work as hard for human salvation as they do at present if they believed that death would be the end of them individually, they and their followers have a bad habit of talking as if the Salvationists were heroically enduring a very bad time on earth as an investment which will bring them in dividends later on in the form, not of a better life to come for the whole world, but of an eternity spent by themselves personally in a sort of bliss which would bore any active person to a second death. Surely the truth is that the Salvationists are unusually happy people. And is it not the very diagnostic of true salvation that it shall overcome the fear of death? Now the man who has come to believe that there is no such thing as death, the change so called being merely the transition to an exquisitely happy and utterly careless life, has not overcome the fear of death at all: on the contrary, it has overcome him so completely that he refuses to die on any terms whatever. I do not call a Salvationist really saved until he is ready to lie down cheerfully on the scrap heap, having paid scot and lot and something over, and let his eternal life pass on to renew its youth in the battalions of the future.

  Then there is the nasty lying habit called confession, which the Army encourages because it lends itself to dramatic oratory, with plenty of thrilling incident. For my part, when I hear a convert relating the violences and oaths and blasphemies he was guilty of before he was saved, making out that he was a very terrible fellow then and is the most contrite and chastened of Christians now, I believe him no more than I believe the millionaire who says he came up to London or Chicago as a boy with only three halfpence in his pocket. Salvationists have said to me that Barbara in my play would never have been taken in by so transparent a humbug as Snobby Price; and certainly I do not think Snobby could have taken in any experienced Salvationist on a point on which the Salvationist did not wish to be taken in. But on the point of conversion all Salvationists wish to be taken in; for the more obvious the sinner the more obvious the miracle of his conversion. When you advertize a converted burglar or reclaimed drunkard as one of the attractions at an experience meeting, your burglar can hardly have been too burglarious or your drunkard too drunken. As long as such attractions are relied on, you will have your Snobbies claiming to have beaten their mothers when they were as a matter of prosaic fact habitually beaten by them, and your Rummies of the tamest respectability pretending to a past of reckless and dazzling vice. Even when confessions are sincerely autobiographic there is no reason to assume at once that the impulse to make them is pious or the interest of the hearers wholesome. It might as well be assumed that the poor people who insist on shewing appalling ulcers to district visitors are convinced hygienists, or that the curiosity which sometimes welcomes such exhibitions is a pleasant and creditable one. One is often tempted to suggest that those who pester our police superintendents with confessions of murder might very wisely be taken at their word and executed, except in the few cases in which a real murderer is seeking to be relieved of his guilt by confession and expiation. For though I am not, I hope, an unmerciful person, I do not think that the inexorability of the deed once done should be disguised by any ritual, whether in the confessional or on the scaffold.

  And here my disagreement with the Salvation Army, and with all propagandists of the Cross (to which I object as I object to all gibbets) becomes deep indeed. Forgiveness, absolution, atonement, are figments: punishment is only a pretence of cancelling one crime by another; and you can no more have forgiveness without vindictiveness than you can have a cure without a disease. You will never get a high morality from people who conceive that their misdeeds are revocable and pardonable, or in a society where absolution and expiation are officially provided for us all. The demand may be very real; but the supply is spurious. Thus Bill Walker, in my play, having assaulted the Salvation Lass, presently finds himself overwhelmed with an intolerable conviction of sin under the skilled treatment of Barbara. Straightway he begins to try to unassault the lass and deruffianize his deed, first by getting punished for it in kind, and, when that relief is denied him, by fining himself a pound to compensate the girl. He is foiled both ways. He finds the Salvation Army as inexorable as fact itself. It will not punish him; it will not take his money. It will not tolerate a redeemed ruffian; it leaves him no means of salvation except ceasing to be a ruffian. In doing this, the Salvation Army instinctively grasps the central truth of Christianity and discards its central superstition: that central truth being the vanity of revenge and punishment, and that central superstition the salvation of the world by t
he gibbet.

  For, be it noted, Bill has assaulted an old and starving woman also; and for this worse offence he feels no remorse whatever, because she makes it clear that her malice is as great as his own. “Let her have the law of me, as she said she would,” says Bill: “what I done to her is no more on what you might call my conscience than sticking a pig.” This shews a perfectly natural and wholesome state of mind on his part. The old woman, like the law she threatens him with, is perfectly ready to play the game of retaliation with him: to rob him if he steals, to flog him if he strikes, to murder him if he kills. By example and precept the law and public opinion teach him to impose his will on others by anger, violence, and cruelty, and to wipe off the moral score by punishment. That is sound Crosstianity. But this Crosstianity has got entangled with something which Barbara calls Christianity, and which unexpectedly causes her to refuse to play the hangman’s game of Satan casting out Satan. She refuses to prosecute a drunken ruffian; she converses on equal terms with a blackguard whom no lady could be seen speaking to in the public street: in short, she behaves as illegally and unbecomingly as possible under the circumstances. Bill’s conscience reacts to this just as naturally as it does to the old woman’s threats. He is placed in a position of unbearable moral inferiority, and strives by every means in his power to escape from it, whilst he is still quite ready to meet the abuse of the old woman by attempting to smash a mug on her face. And that is the triumphant justification of Barbara’s Christianity as against our system of judicial punishment and the vindictive villain-thrashings and “poetic justice” of the romantic stage.